Monthly Archives: December 2019

Frozen II – Thoughts

Hello again folks!

This is one of those pieces that I didn’t really plan to write. Not because it is bad or anything, but that sometimes there are things that really inspire you to write that you never see coming. Such was the case with the recent movie Frozen II. Now, I watch my share of movies, but when Frozen II was originally announced I wasn’t in any hurry to run out an see it. I’ll get to why that changed in a moment.

The fact is, I’m a Disney fan. Yes, I’ve watched the vast majority of the animated movies, and well into the digital Pixar variety as well. Yes, I also know many of the songs by heart. There is no shame in that from where I am sitting, and that is a big part of my childhood memories. There are worse things in the worlds than Disney movies.

I enjoyed the first Frozen, it was a good movie. A good modern retelling of older bits of Hans Christian Andersen tales. It is a fun little story, with some good lessons in it. But I’m not here to talk about the first movie in any depth. It must be said that before I get into that, that this piece contains MAJOR SPOILERS. Seriously, SPOILERS AHEAD!!!!, so if you haven’t seen the movie and want to, come back to this piece after you have. I don’t want to ruin it for you.

So what drove me to want to see the second movie? At first I wasn’t really inclined to go out an see it, but then I heard that there was a group of people in the movie called the Northuldra, and they were built with the help of indigenous Sami consultation. That is what changed my mind. Regular readers of my work will realize instantly that I am a strong advocate of indigenous consultation and rights. The Sami are really interesting to me, as are the Norse and Finnish. When I found out that the Sami were involved in the shaping of the story, I knew I wanted to watch it. I think that Disney did a good job with indigenous consultation in Moana, and I wanted to see a story that was a little closer to my own ancestry and spiritual path.

I’m really glad I did, because there are huge intersections with many of the things I talk about on this blog. Animism for sure, but also indigenous rights, nature, complex systems, and even environmental sustainability. There are a lot of layers to the story, and I want to spend some time unpacking them. They added a lot of subtle richness to the storytelling, and I want to dig into that a little more.

It makes sense that we would start with the animism. As I have said many times before, animism is founded on relationships, to each other, and to nature. There was SO MUCH of this present throughout the film. From the Relationships between Arrendelle and the Northuldra, to the Northuldran (inspired by the Sami) connection to nature. Much of the magic in the movie, included Elsa’s own, is based on a relationship to nature. It is tied into the health of the forest and the waters, and many of the supporting characters are in fact nature spirits. There is Gale, a wind spirit. The Water Horse, which has many corollaries in Celtic (kelpie) and Scandinavian (nykk) folklore. There are also the earth giants, and of course, Bruni the fire salamander.

The ‘four elements’; earth, air, water, fire, are present in some form in a lot of worldviews and indigenous religions. There are also aspects of modern strains of paganism and even my own animistic practice. Salamanders such as Bruni are commonly associated with fire, and I found it to be a good nod towards that bit of folklore. In many ways, the animism presented throughout the movie had a lot of Last Airbender feel to it, about bringing balance back to the world, between humans and nature. It was in fact, central to the plot.

Just as central to that same plot was the Northuldra people themselves, which are based on many Sami traditions. The shape of their houses are inspired by traditional Sami forms, the magic in the story by forms of Sami animism and shamanism. And then there are the reindeer….


Reindeer husbandry and hunting is a traditional Sami occupation that continues right down to this day. Because the Sami like many other indigneous groups are living, contemporary people. They have had encounters with others cultures (sometimes with disastrous consequences), and have many issues with colonial governments that are still very real and present. Even some of that is presented in the movie, which I will come back to in a bit.

One of my favorite aspects of the movie was the presence of Water, as both a supporting character as the Water Horse, and as an essential aspect of magic and the livelihood of the Northuldra. Theirs land and way of life were put at risk because of the presence of the dam, because the ‘waters of life’ were blocked. The symbolism of all this cannot be ignored, nor can the connection between Standing Rock and the slogan that Water is Life. Water rights issues are common among many indigenous groups, and the dam itself cannot be ignored. In fact, dam building is often a threat to indigenous peoples, even to the Sami, which have resisted many dam projects proposed by Scandinavian governments.

(Hoover Dam, from Wikipedia)

I found the dam, and it’s final fate, as imposing as the actual structure. But there was another aspect of Water that I found just as powerful. The idea that water has memories is strong throughout the movie, as well as that water is life. The Water Horse stands in just as easily as guardian as well as guide. Also, Olaf’s existence and ultimate resurrection is chalked up to the idea that water has memories. This is not just a convenient story telling device, but a trait of complex systems, including water systems. Rivers ‘remember’ previous routes in riverbeds, as well as changes over time. The same is true of lakes and oceans, and even things like bacteria and chemicals in rain. Complex systems such as water cycles keep ‘records’ of their past, and memories of land and ecosystems are not just symbolic in this sense. This idea is deeply interwoven throughout the plot.

Another idea deeply interwoven all through the story in Frozen II is the idea of ancestry. Elsa is driven by the need to know about the source of her magic, and the mysterious singing voice she keeps hearing. This drive takes her and Anna to the lands of the Northuldra, and eventually the revelation that her mom was in fact Northuldran. This explains the source of her magic, as it literally, runs in the family. It also comes with the revelation that the sisters’ own grandfather was the one who betrayed the Northuldra, and also built the dam that denied them their power.

The ancestral part of the story deeply resonated with me, because Anna and Elsa are children of two worlds through their ancestry. Both of them are Northuldran, as well as Arrendelleian. This actually plays out in the story, as Anna goes back to Arrendelle, while Elsa remains in Northuldra. The connection to shamanism is important here, as through the sister’s two worlds are bridged once again. Both facilitated this in their own way, Elsa, by reclaiming her connection to her ancestry, and Anna, by her role as eco-warrior in the destruction of the dam.

The plot in this way is also a story deeply interconnected with the ideas of colonization, Arrendelle building the dam and denying the Northuldra their power and connection to nature. It also presents a bit of decolonization story, as dam breaks and the old system of oppression comes down. But at the end, through the bridging of the two ‘worlds’, and the re-connection to nature, I think most of Frozen II is a story of healing.

Anna, through her descent through grief and loneliness, and finally to her own ascension as water-protector and eventually one half of the bridge between worlds. Elsa as the other half, in her process through making a bit of peace with her own ancestry, and her place as a balance and proverbial ‘fifth element’. And of course the Northuldra, who teach us about healing the land and our relationship to it, and our relationships between people, especially indigenous people and healing the transgressions of our own past.

Thanks for reading!

The Spirits of Stars

I think one of the things that I love most about working through Finnish folklore is that the animism is really naturalistic. By this I mean that the experiences of spirits are tied closely to natural phenomena and the land. There is a real interconnection between the practical everyday experience of living and the spirits. This is one of the things I love most about being an animist, is that the mundane is also simultaneously the spiritual. There is no separation of the experience.

For me, it also allows a bridge between science and storytelling. Speaking of my own experiences allows me to speak multi-vocally, with more than one voice at the same time. When I write or speak about land spirits, I am talking about both the physical land in a very real scientific sense, as well as my spiritual experience of the same land. Sometimes spirits are metaphors or allegory, sometimes just story telling devices, but more often than not for me they are phenomenal experience of the place. A deer spirit could be a real living Whitetail, as well a symbolic device that is how I relate to the deer. It is almost never either/or, but rather a both/and way of relating to the world.

That’s why I enjoy väki as a concept so much. It is simultaneous both; both the matter and energies of something, as well as the spiritual “folk” of the same. This applies to the lands, forests, rivers, as well as the moon, Sun, and stars. As I’m sure you’ve guessed based on the title of this post, I will be writing about the later. I have loved the stars every since I was a small child. I’ve watched them for years, and I love how the stories they tell shift and move across the sky. Much like they did, and still do, for ancient and indigenous peoples across the world.

In Finnish, the Star People are referred to as the Tähti Väki (Star people) or the Tähtetär (Star spirits). Our own Sun, Sol, is also considered to be part of the star people, but it also has a name of their own. In modern Finnish, the Sun is usually called aurinko, but the Kalevala also gives the Sun another name, Päivä.

Päivä is the sun, and the Päivä väki (or Päivätär) are the spirits of the Sun, which is just one star our of billions. But Päivä is the most important star to those of us here on Earth. It is the source of the heat deep within our own planet, it is the source of life and the elements that make up all life on this planet. Like all stars, the Sun is a creator and a life giver, as well as a burning plasma ball of fusion.

Stars are the celestial forges that shaped every element in creation. Generations worth of stars living, dying, and especially exploding. These are the processes that seeded the cosmos with the heavier elements necessary for you and I to be here now. It is thought, that our Sun is at least a third generation star, as it contains heavier elements that could not have been created by the Sun.

(Stellar Element Table from

In addition, Earth as our home planet, is the result of stellar accretion, the process by which the Sun and all the planets were formed in the Solar System. As much as we are Children of the Earth, the Earth is a child of the Sun. We can draw a line of celestial ancestry back through our planet, through the stars, to the very Beginning of our universe. That is wild to contemplate through an animistic lens. Ultimately, as Carl Sagan once said, we are all star stuff. The Stars, the Tähti Väki are our literal and spiritual ancestors.

Old Väinämöinen said: “Good friend, craftsman Ilmarinen,

Let us set out to look, let us go to learn

What kind of fire that fire is, what kind of strange flame dropped

From heavens above to the Earth beneath

If it might be the disk of the moon, or the sphere of the Sun?

  • Kalevala, Poem 47 “Origin of Fire”

But our relationship with the Tähti Väki doesn’t stop there. I want you to consider that moonlight is just reflected sunlight, though I do feel it has it’s own particular ‘flavor’. I want you to consider as well, that all living beings on Earth depend on sunlight for their survival. Plants directly turn sunlight into food, and animals eat those plants. You and I, we eat the plants and animals (and fungi, and other things) to keep our bodies energized and healthy. None of us would bee here if not for the light and heat from the Sun. Stars are creators and life givers in a very real sense, and we just wouldn’t be here without them.

As such, it should come as no surprise that stars and the Sun are a huge part of so many belief systems, as they are in my own. It’s winter now, so we don’t see the Sun as much as I’d like right now. Still, I think it is important to think about the Sun even when it is behind the clouds, because it is so vitally important to our existence. If I were to look for some kind of Creator, I would look to the Sun and Stars.

In a way, Stars are energy in the very real sense of the word. They are the capacity to do work, and in some way or the other, our entire civilization depends on that work. Fossil fuels are stored sunlight in the form of decayed matter. Solar panels and winds both work on the Sun and the spin of the Earth. Water currents flow in the oceans as a result of unequal heating and cooling, and the Sun drives part of that process. In the words of Adam Frank, planets are the engines that turn sunlight into something interesting. The Earth is very good at that, with our robust biosphere. Heck, even as I’ve already mentioned, the heat of the Earth deep in the core is basically just trapped star-heat. (And radioactive decay.)

This is why I leave little shrines around to the sun and stars. All these relationships are things I consider when I am out for a walk, or under the night sky. I like to think that fire (as a weak plasma, though a different reaction), is a distant relative of the Sun and Stars. It produces heat and light, and we carry it with us whenever we go. In some Finnish folkore, fire is the (grand)son of the Sun.

Tuli kulta aurinkoinen, aurinkoisen pojanpoika, auringottaren tekemä.

Fire golden made of sunshine, grandson of the sun, born from his mistress.

– Finnish Folklore Atlas

Maybe the Stars are just campfires in the Sky, of which the Star People sit around. Really, really, hot plasma camp fires. And there, they create the elements that make the Cosmos possible.

As always, thanks for reading!


Sarmela, Matti. Finnish Folklore Atlas.

The Kalevala